WHAT DO YOU SUPPORT?

I'm disgusted. Not only with this character, but more so with what #HipHop / #Rap music and culture has become, and how it continues to perpetuate the cycle of this kind of behavior.

While it's not plausible to blame someone's actions solely on popular music, culture, or marketing; I definitely believe & support the idea that what's portrayed as important and acceptable allows people to justify ill-made & despicable actions like this. So many of us will hear about this, and look at this young rapper with distaste -- but how many of us will actually decide to no longer continue to support, fund, and sustain the same patterns of ignorance and buffoonery that both directly and indirectly encourage and validate this kind of behavior?

Consider the music that you listen to, enjoy, and purchase. What is it really saying to you and the people around you? Are the ideas and images you're receiving something that will in any way adding to the empowerment, advancement, or evolution of your art, culture, race, or people as a whole? There's no guarantee that ending the glorification & promotion of money and violence will make a difference, but when there's an apparent connection between both and hip hop in a situation like this... I think it's worth a try.

http://www.suntimes.com/news/fountain/24691397-452/she-gave-him-life-he-gave-death.html

I know some will laugh this off and call me a "hater" or whatever. That's cool with me - I'll be a hater. Those that understand and agree, however; please re-post, re-share, and reinforce this.

My ideas, my beliefs, and my values make me proudly #UNFAMOUS.

BLUE FRIDAY.

Eff Black Friday…

BLUE is the new BLACK.
50% off until midnight at http://pntg.net/AnaCamp

MY MINDFRAME IS...

Written and performed by Anacron for Manoemusicc
Produced by Diles for Visceral View
Turntablism by DJ Daze Uno
From Green Chile In The Air: Volume III 
Download at pntg.net/gcinta3

You know how I do. It's been about a month, so it's about that time to hit you with something new. Although, with all the saxophoning, singing, and instrumentation I've been doing lately; I thought it'd be best to let the next public heater be a good old-fashioned boom-bap beats and raps cut for my core fan-base -- the true blue underground hip hop heads.

Enter: "Unfamous Mindframe." You've seen it on events, you've heard it on records, you've even seen the logo on merchandise. On this, my second collaboration with ABQ-based producer Diles, I decided to take some time to explain what exactly "UNFAMOUS" means. For those that haven't gotten it up until now, this is the song that will open your eyes, ears, and mind to the UNFAMOUS movement, and why you should be involved.

In addition to all the goodness in it, what pure rap song is complete without a visit from my favorite DJ, The OG Daze Uno? Press play and turn the speakers up, this one's going to knoc your socs off.

LYRICS
My mindframe is UNFAMOUS
It's not a label, it's a lifestyle, language,
and love for music not that lack-luster lameness
It's not exclusive, any open mind can claim this

It's a movement, new improved knit
fabric woven holding golden intent
Indent the game and bent the frame
Started with The Gallery, and then became
the underground definitive, the indie blueprint
We found the limit, then we simply moved it
It's in me, dude it's the source of greatness
Undeniable, and of course UNFAMOUS

You like, "Don't forget us when you blow up!"
Then you forget my shows and never show up
So you know what?
I'll never forget the effort made to support my endeavors
It's just like karma: You get what you give
You're writing the future within the script that you live
Inviting my troopers and friends to kick it and hang, 'cause
they still showed love when I was just UNFAMOUS

We don't do hype, we don't do trends
We don't feel like the means should bend for ends
And we kept the friends that actually know us
instead of dissing them for Yes-Men that practically blow us
Some of yawl are trying to re-write history
how you went from what you were to how you are is a mystery
Abandoned values you was taught when you came up
You lame, cuz - you'd never make it UNFAMOUS

'Nuff respect to all the artists in here
None object that this the hardest career
But unlike most, it wasn't a choice
It's the only thing you know, and so you trust in your voice
But you speak from the soul, you speak from the heart
Hard to reach are your goals when you're speaking through art
Most don't understand it all the same
just maintain and be you, stay UNFAMOUS

My mindframe is UNFAMOUS
It's not a label, it's a lifestyle, language,
and love for music not that lack-luster lameness
It's not exclusive, any open mind can claim this
UNFAMOUS

CRACCIN'.

Now that you've had all day to get charged up offa "Craccin'" & "7 Days", I gotta know...
Which is your favorite of the two?

RICH.

Remember this? Get re-acquainted with "Rich Girls", the "Rich Girls" remix contest, & the "Schwing" Remix EP at http://pntg.net/richgirls_schwing.

COMING.

Yesterday was a good day for a video shoot... Production of "Coming To America" is officially underway, AnaManiacs!

CB4.

I'll just leave this right here.

THIS.

ENDURE.

It begins... Starting right here.

FLASHBAC.

This is what I was doing in 1993.

OUTA HAND.

Oh, yawl ain't know? The Mayans were ACTUALLY anticipating the release of THIS.



12:12, Riddlore, Orko, Pugs Atomz, Revels, and ME on a Scife1 track? Come on now, that's just crazy-talk.

For those that listen too slow, my verse goes:

Is this the beginning of the end, or the end of the beginning?
All signs point to the time for repenting
The heavens open up and engage ten plagues because the underground religion's been sinning
First, it was a plague of Blood
Lil' Wayne and them got fame and then became a Blood
Which seems a little strange because the 'hood knows he's not, but he got a gang of fans claimin' Bloods
Keeping it fake is the new keeping it real
Changing yawl, more hip than hop, plague of frogs
And they forgot about the DJ, they deserve a lashing
A little vague advice and plague of lice will get them scratching
Catch them with the herd, it's a plague of wild animals
biting off the next man, self-consumed cannibals
I'm betting this plague of pestilence is 'finna deaden kids like a record label's annual
recoupment report! The soup's 'finna start to boil like the next plague,
best protect your fresh fade
Out to be keeping their mouths closed
thinking about when the clouds go open with the seventh plague
Hail from above - and now the platinum elite begin to notice and started to lose focus
Even some of the wannabe-underground locals
All they wanted was "buzz" so they got a plague of locusts
Then the darkness comes
when the little guy blocks the bigger guy like an eclipse of the sun
Busters rip and they run
Never once assuming they could have avoided this when it begun
But it's too late to take it back now, the wack now
suffer for words formed in every verse scorned
They say your lyrics are your brainchild;
so the tenth plague's been made to kill your first born

LOVE ON A DUB.

Gotta love good press.

NITE.

Over a decade later, a remastered classic re-release. 

Now available on 

Bandcamp (http://pntg.net/theniteowlep) 

GooglePlay (http://pntg.net/anacronmusicgp)

ATYPICAL.

ANAMANIACS: My full-length 2007 release, "atypicalcd" has migrated from iTunes to GooglePlay... Listen via the cloud with Android phones, tablets, & standard desktop computers! http://goo.gl/tcrMb

Album Title: Atypicalcd
Artist: Anacron
Album Production: Anacron, Old Man Malcolm, Earmint, Subterrain Area
Featured Artists: Irie, PervOne, Astrobwoy, Christian Riley
Length: 14 Tracks / Approximately 55 Minutes

Label: PntGllryNtwrk
Release: Street Winter 2007 / Distribution Spring 2008

Finally, the most-known-unknown renaissance artist in hip hop returns with his first solo release in over 5 years. Atypicalcd is a full-length album that serves as an official re-introduction to second-generation Los Angeles underground veteran Anacron, who re-located to and assisted in cultivating Chicago’s budding hip hop scene at the dawn of the new millennium. Anacron shines brightly on this album, boasting his easily relatable, catchy, and conversational songwriting, rapping, and singing skills throughout the listen. In addition to his own traditionally inventive beat production style, the sonically crisp LP also features production by Chicago’s underground mainstay Earmint, and SubterrainArea from southern France. Old Man Malcolm, the DJ/producer of Citizen King, Garbage, Codebreaker, Newsense, Minus After, and several other noteworthy groups, also makes an appearance in preparation for Cornrowz, a forthcoming collaborative major release with Anacron. Vocal guests include Pairograffs comrade Irie, Peanut Gallery Network member and Seattle transplant PervOne, Newsense bassist and vocalist Christian Riley, and long-time Los Angeles collaborator Astrobwoy.

Anacron has released over 15 solo and group projects since 1994, but is most recognized for his efforts as project coordinator, producer, and lyricist on the heralded classic underground album Pals (Galapagos 4 / Basement Records) by Netherworlds (Murs, Himself, and Anacron). Already privy to a dedicated following and steadily growing fan-base, Anacron is a well-known figure in other sects of the hip hop and entertainment world, and has remained an active yet low-key element in the global hip hop scene throughout the past decade. Atypicalcd serves as the gateway to a string of upcoming releases that will re-introduce the various talents of, and make the world fall in love with the UNFAMOUS super-star quality of Anacron.

1. War (Acapella) // 1:21 / Produced by Anacron for Manoemusicc
2. Pneumonia // 2:11 / Produced by Earmint for Lab-O-ratory Productions
3. Club Etiquette (Hoodmix) // 4:55 / Produced Anacron for Manoemusicc
4. Carry Me featuring Irie // 4:13 / Produced by Anacron for Manoemusicc
5. Mainstream // 4:04 / Produced by Old Man Malcolm for T. Malcolm Michiles Music
6. The Ooowee Song // 4:45 / Produced by Old Man Malcolm for T. Malcolm Michiles Music
7. Proteins featuring Perv One and Astrobwoy // 4:47 / Produced by Anacron for Manoemusicc
8. The Gunslinger // 2:25 / Produced by Anacron for Manoemusicc
9. Riflez and Gunzzz // 4:18 / Produced by Old Man Malcolm for T. Malcolm Michiles Music
10. Grown Folks // 4:33 / Produced by SubterrainArea for Subterranean Productions
11. Stop Rapping! // 4:25 / Produced by Old Man Malcolm for T. Malcolm Michiles Music
12. When the Music Stops featuring Christian Riley // 3:57 / Produced by Old Man Malcolm for T. Malcolm Michiles Music
13. Club Etiquette (Clubmix) – Bonus Track // 4:09 / Produced by Anacron for Manoemusicc
14. GodsGirlsDotCom (Internet Exclusive) - Bonus Track // 3:54 / Produced by Anacron for Manoemusicc

HISTORY.

"Music History" featuring Cazal Organism and Summer Rona.

Unofficial video, premiered last night on http://bsideshow.net

Enjoy. 

FRESHNESS.

I'll be at The Basement in Sherman Oaks later today, getting my "American Idol"-esque celebrity judging on...

Never got into this new-school internet battle thang, so this should be interesting.

PRESS.

ANACRON
"THE FACELIFT 3: COSMETIC CHARACTERISTICS"

FEATURING: Mr. Dope America & Z-Man of One Block Radius, Cazal Organism of The Zzyzzx, Summer Rona,
Tajai of Souls of Mischief / Hieroglyphics, ShortBus Bryce, Matt Gamin, King Fantastic
WITH: Jazzanova, DJ Quik, Malakai, Lenny Kravitz, Nicki Minaj, Willow Smith, Kokane, Iva Lamkum, TM Juke, Rollerskaters, Icebird

FREE DOWNLOAD / STREAM / EMBED / LINK via BANDCAMP | http://bit.ly/thefacelift3
PARTIAL ALBUM STREAM / EMBED / LINK via SOUNDCLOUD | http://snd.sc/A6q0cG

Anacron's annual remix album series continues with "The Facelift 3", yet another impressive installation of reshaped sounds and ideas from the "Unfamous" one. Following what's become tradition, Anacron reworks a motley assortment of songs; bending and sometimes breaking the original structure of tunes with mild to extreme crafting and arrangement. Utilizing a wide array of near faultless skills, Anacron raps, sings, plays saxophone, keyboards, and drums, produces, and arranges all over this project. However, no matter how removed from the original, the end result seems to always be spectacular.

With a nicely rounded cast of guest appearances, Anacron continues to showcase the best of underground vets and unknown up-and-comers. Mr. Dope America and Z-Man of the Northern California based One Block Radius step in to assist on the bouncy, fun and futuristic "So West Coast"; a DJ Quik-produced tribute to all the hidden gems of West Coast life. Cazal Organism, son of rap legend Mellow Man Ace and one half of their father-son super duo, The Zzyzzx, steps in to boast his thorough musical upbringing on "Music History". Summer Rona, Hollywood-based vocalist and collaborator with Stevie Wonder, The Jacksons, and Quincy Jones among others, also steps in to add some warmth to Anacron's blazing original production for "Music History". Souls of Mischief member Tajai steps in momentarily to represent his crew with a strong cosign on "Catch A Rad One", Anacron's self-produced and re-worked cover of Del The Funkeehomosapien's classic, "Catch A Bad One." The Facelift becomes a family affair when Anacron's 15-year-old swagged-out nephew ShortBus Bryce jumps in to burn down Willow Smith's Nicki Minaj-assisted "Fireball". Lurk Music's resident unique MC Matt Gamin joins Anacron on the unapologetic "Turn Around", a TM Juke-produced remix of Sola Rosa's Iva Lamkum assisted single.


Unofficial appearances include major names in non-major music. Smooth settings by Jazzanova provide the perfect bed for Anacron's rapping, singing, and saxophone playing on the inspirational album (and year) opener, "2012 (Motivate)". Meanwhile, the frenetic pace of Malakai's "Shitkicker" becomes even more nerve-racking and jittery when Anacron dives in with a classic Los Angeles-originated "chopping" style of rap. Partnering a suave demeanor with sophisticated metaphorical reference, Anacron turns Lenny Kravitz's "Superlove" into a comic geek's dream, even inserting a shout to Boogiemonsters somewhere in there. Rehashing what Anacron refers to as "the second best rap song of 2010 (only following WC's 'Frontline')", Kokane's "Twilight Zone" gets a complete restructuring with all-new original beats and rhymes complimenting Mr. Kane's legendary flow, even earning an impromptu Twitter cosign from the legend himself. Andrew McKee's rumored-defunct Rollerskaters project received a Facelift blessing as well, in the form of Anacron's crooning, rapping, and knack for sharing dysfunctional love stories. Finally, the album wraps up with two hidden bonus tracks (available via album download only): An official remix of "D Boy Stance", the Anacron-featured track from King Fantastic's debut album; and Anacron's unofficially remixed "Charmed Life", the lead single from RJD2 & Aaron Livingston's Icebird project.

Whether you love or hate the original version of any song that Anacron chooses to receive a "face lift", his meticulous writing, composing, producing, and mixing process is sure to birth something that brings a positive response from any listener. With 12 tracks in total (2 hidden bonus tracks with download), Anacron's "The Facelift 3: Cosmetic Characteristics" is a better than great addition for the casual (to extreme) eclectic's every day playlist.

Album credits, lyrics, and liner notes available on Anacron's "The Facelift 3: Cosmetic Characteristics" Bandcamp page, as well as each track's individual pages.

STAY IN THE KNOW ABOUT UNFAMOUS:
Anacron's UNFAMOUS independent arts series continues to grow and receive recognition from those that matter the most; the lovers of everything artistic. Dedicated to providing a growth platform for strictly underground and lesser known artists, and rooted in the belief that self-promoted arts supported by a strong arts community is the best way to achieve success without compromising creativity, UNFAMOUS took off with a big bang late last year. With 5 successful UNFAMOUS events tallied since November 2011, Unfamous is rapidly growing into the premiere destination for the aficionado of edgy and diverse music, art, dance, DJ's, and food. Partnered with the charity Free Arts for Abused Children, Anacron's UNFAMOUS is on a steady rise towards the goal of promoting art without promoting hype. Curious? More information available at http://bit.ly/unfamousfest


THE GALLERY NETWORK URBAN TALENT GROUP
www.peanutgallerynetwork.com  |  www.twitter.com/gallerynetwork
805-PNT-GLRY (768-4579)

FACELIFTED.

I've already been told that you can listen to the whole thing in one sitting... 

Mission accomplished.

PROVERBIAL SLAP.

 

Self-produced tribute to the genius of J.Dilla from Culture King's "For The Love" 2011 compilation EP. I flipped the original sample used by Jay Dee for De La Soul's "Verbal Clap", produced a trac with live instrumentation and programming, spat some simple bars, and got my DJ to cut the fuc outta some scratches.

Unofficial fan-made video attached... Download the song free HERE.

This is how inspiration creates magic, folks - Enjoy.

RE-WHO.

An underground classic remastered, “Who’s Who?” is to be digitally re-released globally this week via Bandcamp, iTunes, Spotify, and Amazon MP3. After three worldwide runs on three labels, dig the cover art for the album’s fourth inception.

Originally released in 2001, "Who's Who?" features gritty delivery and poetic lyricism by Anacron, with guest appearances by Gallery affiliates Himself and Prosper Jones. Production is handled by some of hip hop's greatest indie beatmakers, including Eligh, Alo, Mr. Burns, and of course, Anacron. The album also provided the first glimpse of "A Prototype"; Anacron's instant cult classic for indie hip hop and skateboarding aficionados worldwide after it's feature in Activision's award-winning video game, "Tony Hawk's UnderGround".

Listen to the re-mastered version of the timeless single "A Prototype" below, and keep an eye to the 'net for the upcoming release!